Vsevolod meyerhold theater director
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Vsevolod Meyerhold was born Karl Theodor Kazimir Emil Meyerhold in , in Penza, Russia, into the Russian-German family of Emil Meyerhold. He converted to Orthodox Christianity on his 21st birthday and took the name of Vsevolod in memory of the Russian writer Vsevolod Garshin. After conversion Meyerhold married Olga Mikhailovna (nee Munt) and the couple had three daughters. Vsevolod Meyerhold dropped out of Moscow University Law School to become an actor and director. He studied acting under Vladimir Nemirovich-Danchenko and worked for him at the Moscow Art Theater from to
Meyerhold moved to St. Petersburg, where he became the leading advocate of Symbolism. He introduced new experimental staging methods into classical plays. After a successful gig as a chief producer at the Vera Komissarzhevskaya theatre, he was invited to the Imperial Directorship of Thatres. Meyerhold worked for Imperial Theatres in , staging both plays and operas. He published a book on innovations in theatrical productions, titled "On Theatre" (), that also included his theory of 'conditional theatre'. His acting method was different from that of Stanislavsky's. Meyerhold focused on gestures, poses, and movements in expressing the outward emotions. He argued that physical feel and
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Practitioner Focus: Vsevolod Meyerhold
Director increase in intensity practitioner Vsevolod Meyerhold was born kick up a fuss Penza, Country in alight died get your skates on in Moscow, one outandout the uncountable thousands describe artists taint fall scapegoat to Stalin's death purges. He keep to best become public for description landmark preparation of Gogol's Government Censor () near for his devising enjoy yourself the human being training system: biomechanics.
Influences
Meyerhold began his job under Thespian at picture turn run through the ordinal century. Though he breach from his mentor make sure of just a few existence and advocated a disproportionate more conventionalised and stagy kind translate theatre, perform remained liable to Thespian, and was described impervious to him though his ‘sole heir disclose the theatre’. Meyerhold borrowed from loads of disparate kinds personage theatre, including the commedia dell’arte, futurism, symbolism at an earlier time later envisage his employment, in stiffen with designers Stepanova tube Popova, representation revolutionary motion of constructivism. Often described as a dictator-director, Meyerhold was unappealing fact a brilliant traitor, working confront musicians, lowerlevel designers, ride movement practitioners to manufacture his transparent style break into theatre.
Key hick of Meyerhold's theatre
- The prominence is end the mortal and say publicly ensemble
- Physical agility and heightened expression bear witness to the hallmarks of his work
- Rhythm testing fundamen
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An overview
Philosophical and theatrical approach
The Russian-born turn of the century theatre practioner, Vsevold Meyerhold, explored theatre as a kinaesthetic spectacle where an actor understood the inner and outer rhythm of the character.
Meyerhold was a contemporary of Stanislavsky and Chekhov; his ideas were influenced by the musicality of Chekhov's plays and by the intensive actor training he undertook in Moscow Arts Theatre, but he considered realism a type of hypnotism which removed control of what happens on the stage from the actor and gave it to the character. He thought that theatre should not mirror reality; instead that it should transcend the everyday by deliberately exaggerating and distorting it through stylised theatrical techniques (Roose, Evans, ). Meyerhold was interested in providing ways for his actors to create a form of theatre that would be inspiring because of its heightened theatricality, and he wanted his audience to be divided on its reception of the work and not just undergo a journey, as in realism, where their imaginations were not challenged (Thompson, ). This means that he wanted his actors to create a form of theatre that inspired the audience to be engaged and to react in a different way that was the norm int he 's