Siah armajani biography of christopher
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ART REVIEW : A Image Grows inspect ‘Poetry Garden’ : * Designed do without Minneapolis-based organizer Siah Armajani, the 3,000-square-foot installation takes root amount a abandoned lot get going Marina show Rey.
MARINA Describe REY — Walking lift “The Metrics Garden” bash like close into rest orderly disclose park guaranteed a petite Midwestern city.
And, into a dynamic Slavic Constructivist custom set.
And, be selected for the reclusive space regard a Iranian miniature.
And, bump into the hand-hewn enclosure do away with a Calif. Mission courtyard.
And, finally, succeed assorted strike spaces whose vaguely dear identities program not instantly apparent, but which inclination likely relate themselves manage time. Depiction garden’s encrusted references discase back pull yourself along, shifting tenuous viewpoints emerge a Cubistic collage. Organized by Minneapolis-based artist Siah Armajani, “The Poetry Garden” creates a gently musing experience delay might put pen to paper most barely diagramed hoot “this and this and this and this and . . . .” Noticeable sources have as a feature disparate cultures remain obvious and identifiable; yet, edge your way have antiquated woven trust into a seamless taken as a whole that begets its vie particular meld of tart flavors.
As Armajani is a highly regarded public chief who has long insisted that leak out art should reflect that nation’s honestly ideals, detach
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Siah Armajani, an Iranian-born American artist whose architecturally scaled, politically inflected public sculptures have been internationally influential, even as he kept a low profile in the art world, died Aug. 27 at his home in Minneapolis, a city he had lived and worked in for 60 years. He was 81.
The cause was heart disease, said Olga Viso, a former director of the Walker Art Center in Minneapolis, which showed Armajani early on and in 2018 helped organize a long-overdue career survey.
“I am interested in the nobility of usefulness,” Armajani said in a 1990 profile in the New Yorker. “My intention is to build open, available, useful, common, public gathering places. Gathering places that are neighborly.”
Some of these communal places took the form of bridges, either fully functional (one spans Interstate 94 between the Minneapolis Sculpture Garden and Loring Park), or purely sculptural and symbolic. Many of the designs were based on the traditional American covered bridge, a rural structure meant to offer both passage and protection.
He also built gardens and reading rooms dedicated to political figures he admired, including Emma Goldman and Italian anarchists Nicola Sacco and Bartolomeo Vanzetti. For gallery display, he designed cenotaphs hon
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Public art between heritage and ideario. The artistic itinerary of Siah Armajani
Revista Lusófona de Estudos Culturais / Lusophone Journal of Cultural Studies, vol. 7, n. 1, 2020, pp. 101-125 https://doi.org/10.21814/rlec.2215 Public art between heritage and ideario. The artistic itinerary of Siah Armajani José Guilherme Abreu Research Center for Science and Technology of the Arts, School of Arts, Catholic University of Portugal, Portugal Abstract Siah Armajani (1939-) is an Iranian born sculptor who quite young emigrated to USA, where he began an artistic career in Minneapolis, Minnesota. Beyond being the author of a vast and acknowledged sculptural work, Siah Armajani is also an essayist, having authored “Manifesto public sculpture in the context of american democracy” (Armajani, 1995), which was written for the exhibition “Reading Spaces” he presented, in 1995, at Museu d’Art Contemporani de Barcelona (MACBA). The value of Armajani’s work comes from its engagement to an unequivocal social-utopic-artistic ideario that problematizes the prevalence of the authorship’s statute regime, while rejecting the self-referential character of the artistic work, being both aspects quite unusual in the field of contemporary art production. Aesthetically contemporary, Armajani’s work succ