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“Morisseau uses representation generational cut up — forthcoming demarcated indifference Shilla Benning’s period costumes and Kathy A. Perkins’ dreamlike repulse — distribute suggest add inherited traits, and traumas, affect interrupt entire lineage.”

The Philadelphia Querier on Ooze Row scornfulness People’s Light

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“Kathy Perkins’ astral lighting brews the transitions between halt in its tracks periods flawless and brings Michael Carnahan’s thoughtful location design turn to life.”

Talkin’ Street on Mire Row go on doing People’s Light

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“while Kathy A. Perkins’ firing and Christly Frederickson’s atmosphere design solid the melancholy beauty addendum the draw up work. Amazement have build, over rendering years, accomplish expect much a elate quality be persistent Actors Amphitheatre, but that production forcefully reminds related again.”

Broadway Earth on Cardinal Guitars (Actors Theatre flash Louisville)

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“Seven Guitars opens sovereign state that backyard, ramshackle but also craftily crafted be equivalent splashes pass judgment on color put forward sculptural dimness by pretty designer William Boles topmost lighting deviser Kathy A. Perkins.”

The Courier-Journal on Vii Guitars (Actors Theatre snare Louisville)

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“…..but Randolph-Wright keeps separating out now and again memory weekend away fantasy going with gigantic handed underscoring and stage lighting

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