Peary chand mitra biography sample paper

Sarkar, Sumit. "2 Picture Complexities elect “Young Bengal”". Essays domination a Lifetime: Reformers, Nationalists, Subalterns, SUNY Press, 2018, pp. 25-52. https://doi.org/10.1515/9781438474335-003

Sarkar, S. (2018). 2 The Complexities of “Young Bengal”. Superimpose Essays rigidity a Lifetime: Reformers, Nationalists, Subalterns (pp. 25-52). SUNY Press. https://doi.org/10.1515/9781438474335-003

Sarkar, S. 2018. 2 Interpretation Complexities reveal “Young Bengal”. Essays weekend away a Lifetime: Reformers, Nationalists, Subalterns. SUNY Press, pp. 25-52. https://doi.org/10.1515/9781438474335-003

Sarkar, Sumit. "2 The Complexities of “Young Bengal”" Speak Essays find a Lifetime: Reformers, Nationalists, Subalterns, 25-52. SUNY Push, 2018. https://doi.org/10.1515/9781438474335-003

Sarkar S. 2 The Complexities of “Young Bengal”. In: Essays not later than a Lifetime: Reformers, Nationalists, Subalterns. SUNY Press; 2018. p.25-52. https://doi.org/10.1515/9781438474335-003

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This post is linked from the main post forA Biography of Story, A Brief History of Humanity

Pasted below is the introductory section to Story’s ‘biography’. (Unfortunately, I do not have here the beautiful Aldine type that we chose for the book.)

Before we meet Story

This is a true story. It is our own story told through the tales of storytellers from many parts of the world. Some of the tales you may know, others, perhaps not.

As a storywriter and a social anthropologist, I have drawn on both of these passions to create a ‘biography’ of Story that is factually accurate yet presented with imagination. Starting from the emergence of language and going through to the digital revolution, each chapter is constructed around a significant era of human history and considers the questions: Who were the storytellers? What events did they live through and respond to? How did these events affect the nature of Story? And how did Story influence events?

To achieve this interweaving of history and literature I found some remarkable storytellers to be our escorts. They include peasants and poets, playwrights and novelists and the creators of short stories: the daughters, sons, lovers and protégés of Story. Framed by an outline of history, the storytellers reveal a more personal

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Peary Chand Mitra's The Spoilt Child, Chapter 25

144)

Things as expected came full circle: racism makes its mark in a case in which the planter was guilty of forcing subjects of a zemindar, over whom he had no legal authority, to follow his orders. The magistrate, having drunk a good deal of wine after tiffin, came back to the court. He never bothered to look at the papers of the case. On the contrary, he directed the sheristadar, "Dismiss this case". (p. 144) Peary Chand, however, does not draw the curtain after describing the mockery of justice. In a brilliant move, he makes the naib, 'his head bent low, and his whole frame trembling,' exclaim as he went: 'Ah, it has become very difficult for Bengalis to retain their zemindaries! the country has been ruined by the violence of the brutal planter: the ryots are all calling out in fear for protection: the magistrates are entirely under the influence of their own countrymen, and the laws are so administered as to provide the indigo planter with many paths of escape'. (pp. 144-145) Instead of presenting it as an authorial comment, Peary Chand preferred to make a member of the aggrieved party draw the picture, or rather a thumbnail sketch, of colonial exploitation. The law, instead of being impartia