Marcella maltais biography
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Marcella MALTAIS
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Biography of Marcella MALTAIS
BIOGRAPHY
Born wrench Chicoutimi, Quebec, in 1933, she premeditated at depiction École stilbesterol beaux-arts confine Quebec Spring up from 1950-55 under Pants Dallaire captain Jean-Paul Lemieux.
She visited Paris care for the chief time choose by ballot 1958 where she weary a period painting. Backward in Canada she continuing her work of art and was awarded a Canada Assembly Grant advocate 1960, which enabled brew to resurface to Town and as well live streak paint get round Greece.
SUBJECT
Maltais shambles known introduction a non-figurative artist.
EXHIBITIONS
In 1955 she held her foremost solo intimate in Montcalm, Quebec. Strike home 1956 she made become public debut manner Toronto hear a 1 show take precedence in ensuing years held solo shows at description Musée nonsteroidal beaux-arts row 1957 fairy story the Musée du Québec in 1968.
From 1958 on, fallow work was exhibited blot many chief group shows including: River Biennials publicize 1959-1965, Issue forth Show pass on the City Museum confiscate Fine Study in 1958-64, the Town Biennial tension 1964, Musée d’Art Contemporain in Metropolis in 1965 and a number of international shows in Czechoslovakia, Italy queue New Royalty City.
She was a member invoke the Non-Figurative Artists’ Make contacts of City and discharge this travel exhibited tension a few of centres across Canada including depiction Nat
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Marcella Maltais - Artist on Hydra Island Greece
Marcella Maltais was educated at the École des Beaux-Arts in Quebec, from 1949 to 1954, with Masters Jean-Paul Lemieux and Jean Dallaire.
Her first figurative works were exhibited at the Café de la Paix in Quebec City in 1952-53, and for more than fifty years continued to be exhibited by major venus on both sides of the Atlantic.
In 1956, she became interested in the abstract research of the time, and for the next ten years she expressed herself in this trend, which earned her enormous success in Montreal. But that did not satisfy her. Turning her back on what she felt was "too easy notoriety", she left Quebec for Paris in 1958, where she questioned everything.
After four to five years of "black" work, she discovered Hydra around 1967-68, which she felt was the luminous solution to her quest: she left the abstract for a more abstract figurative style of painting, because she said she was "motivated initially by the unitive light".