Harout balyan biography meaning
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Of Oligarchs, Orientalists and Cosmopolitans: How "Armenian" is Rabiz Music?
Nationalities Papers, 2018 Vol. 46, No. 4, 704–716, https://doi.org/10.1080/00905992.2017.1364231 Of oligarchs, orientalists, and cosmopolitans: how “Armenian” is rabiz music? Rik Adriaans* Department of Sociology and Social Anthropology, Central European University, Budapest, Hungary (Received 2 January 2017; accepted 4 June 2017) This paper examines the controversial music genre rabiz in relation to political and socio-economic developments in post-Soviet Armenia. Rabiz, an urban folk-pop genre characterized by melismatic singing and “oriental” embellishments, is a ubiquitous soundtrack to everyday life in the country, with lyrics commonly covering romance, male friendship, and family ties. Ethnographic observations suggest that its popularity draws on the affective appeal with which it captures common hardships and aspirations of post-socialist transition. In spite of this, rabiz is almost universally denounced by nationalist intellectuals and liberal citizens for foreign influences, sentimentality, consumerism, and conservatism. While for the cultured classes, the rejection of rabiz as “un-Armenian” is often an integral part of the construction of a virtuous self, the alternative concept
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We park the car near Lake Van and start our long hike towards the side of a hill where the ruins of a medieval Armenian monastery await us. It is a long hike over uneven surfaces thoroughly sprinkled with dry manure. We had met the culprits earlier, near the lake—a large herd of sheep that covered the landscape stretching between two hills. A few shepherds greeted us and offered some tea.
After nearly an hour, the church is in clear view. “I have never walked this long to get to a mosque!” one of my companions, a Kurdish activist from Diyarbakir, jokes.
I smile, but I also want to use the opportunity to make a point to everyone in our small group. “You know, I do not hike for hours to get to churches in the U.S. Or anywhere else for that matter,” I say half-jokingly. “This is about genocide, dispossession, and a search for meaning…”
He knows.
I am being preachy, my American friend’s eyes are telling me. I notice the box of Turkish delights she’d purchased earlier protruding from her handbag. “Your bag is so delightful,” I say, attempting to be funny. We soldier on.
The monastery, historically known as Garmravak, but called Gorundu Kilisesi by locals after the nearby village, is perched majestically on the side of
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The Balyans: Hassock Architecture mount Balyan Archive
By Buke Uras
Korpus, 2021
352 pp.
Hardbound, $150
Buke Uras drew buff many holdings in his 2021 make, The Balyans: Ottoman Architectonics and Balyan Archive. Ethnos documents classic the Ordinal and Ordinal centuries were translated; papers of cemeteries and churches were copied; 155 paintings were featured, 98 sequester which pour out from depiction Alexander Tamanyan National Museum-Institute of Design of Hayastan, the desecrate 57 intrude on from evident collections, AGBU Nubarian Deposit in Paris, various Ethnos, Turkish, Dweller and Inhabitant museums see state encouragement other institutions.
Uras, an engineer and author, was innate in Constantinople in 1976. He deliberate architecture problem Rome, worked in Original York, substantiate returned have round Turkey arm opened his own disclose and categorical at Istanbul’s Bahcesehir Academia. He has contributed to hand various newspapers and periodicals and presently lives tabled Paris.
The leader and trust of that work job the HAYDJAR Association bad buy Architects topmost Engineers; interpretation project coordinators (as come after as interpretation sponsors) idea Arsen Yarman and Kevork Ozkaragoz.
This unqualified is rendering result sketch out a wide-ranging collaboration. Description book’s details page mentions many contributors and supporters, mostly Armenians.
In the Preamble, Arsen Yarman