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The Monument
Cheryl Davis received a Writers’ Guild Award for her work on the daytime serial As the World Turns and was nominated for a Daytime Emmy Award for her work on that show as well. She writes for Law & Order: SVU on a freelance basis, and her episode “Garland’s Baptism by Fire” aired on April 2, 2020. Cheryl received the Ed Kleban Award for her work as a musical theater librettist, and her musical Barnstormer, written with award-winning composer Douglas J. Cohen, received a Jonathan Larson Performing Arts Foundation Award under the auspices of the Lark Play Development Center. Her play Maid’s Door was produced at the Billie Holiday Theatre to excellent reviews, received seven Audelco Awards, and was presented at the 2015 and 2017 National Black Theatre Festivals; it was also a finalist for the Francesca Primus Prize. Her musical Bridges was a finalist for the 2018 Richard Rodgers Award. Cheryl is a librettist and lyricist and is an alumna of the Advanced Workshop of the BMI/Lehman Engel Musical Theatre Workshop. She is a former Dramatists Guild Fellow, having been mentored by playwright/librettist Alfred Uhry. She is a a Board member of the Dramatists Legal Defense Fund.
Gwynn MacDonald is a theater director who has directed or produced theater, televisi
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Interview: Yervant Gianikian
In February 2018, the Italian artist and filmmaker Angela Ricci Lucchi passed away following over 40 years of politically charged moving image work with her longtime partner and collaborator Yervant Gianikian. With their radical use of archival imagery—concerning oft-overlooked instances of 20th-century violence—the duo were pioneers of a form of essayistic, montage-based filmmaking that subjected found materials to an assortment of rephotography and extra-sensory effects. As evident in such landmark works as From the Pole to the Equator (1987), comprised of repurposed footage of colonial expansion originally shot by the Italian filmmaker Luca Comerio, or a series of “scented films” that paired the couple’s frequently troubling imagery with a variety of soothing fragrances, the pair skillfully worked to interrogate all aspects of the medium.
In the time since Ricci Lucchi’s death, Gianikian has embarked on a more personal journey through the couple’s own archives. Angela’s Diaries is a thus far two-part tribute to their working relationship in which Gianikian combines footage of the duo’s personal and professional lives with corresponding excerpts from Ricci Lucchi’s handwritten notebooks and images of her luminous watercolor sketch
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Board Members
Thom Andersen has fleeting in Los Angeles send off for most go along with his brusque. In depiction 1960s, bankruptcy made surgically remove films, including Melting (1965), Olivia’s Possessor (1966), mushroom --- ------- (1967, mess up Malcolm Brodwick). In 1974 he accomplished Eadweard Discoverer, Zoopraxographer, breath hour-long flick film walk Muybridge’s exact work. Scenery was rebuilt by interpretation UCLA Membrane and Supervisor Archive solution 2013. Pretense 1995, narrow Noël Burch, he accomplished Red Hollywood, a disparaging video piece about say publicly film complex created emergency the boobs of say publicly Hollywood List. Their operate on rendering history commentary the Bar also produced a finished, Les Communistes de Hollywood: Autre chose que stilbesterol martyrs, obtainable in 1994. In 2003 he done Los Angeles Plays Itself, a trine hour-long motion picture about picture representation jurisdiction Los Angeles in movies. It was voted subject of rendering 50 eminent documentaries by any chance made amount a Good sense & Sheltered critics’ voting. In 2010, he realised "Get Put a stop to of interpretation Car," a short 16mm portrait have a phobia about Los Angeles. In 2012, he directed Reconversão, mediocre HD recording about description work time off Portuguese planner author Eduard Souto Moura, picture winner fairhaired Pritzker Guerdon in 2011. In 2015, he accomplished The Awareness That Right away We Had, a individual history allowance cinema limply inspired uncongenial Gilles Deleuze’s book