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The French mystique
American women may drop billions to look fabulous, but someone else holds the title to the ultimate in allure: the French woman.
Is it any coincidence that the French coined the term femme fatale? You know the type, a woman who’s impossibly svelte and chic, with a certain aloofness and an aura suggesting that she knows something we don’t about sexuality and seduction, a woman with that elusive quality known as je ne sais quoi.
So is there truth to the stereotype? Yes and no.
The mysterious creature people find so fascinating is partly real and partly steeped in myth, forged by icons such as Catherine Deneuve and Brigitte Bardot, says Debra Ollivier, author of the new book “What French Women Know: About Love, Sex, and Other Matters of the Heart and Mind.”
“We’re wrong to think they all look like that -- stunning and thin and walking around in high heels like they’re on the catwalk when they’re going to buy bread at the market -- although it’s true you won’t see French women running to the market in jogging clothes,” Ollivier says. “They don’t put on lipstick, but they get dressed.”
But feel free to be intimidated anyway. French women still have something to teach us about l’amour and all its trappings. Envious Americans are already well acquainted with
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4 users Brigitte Bardot- La Madrague
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Brigitte Bardot (French pronunciation: [bʁi.ʒit baʁ.do]) (born 28 September 1934) is a French actress, former fashion model, singer and animal welfare/rights activist.
She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including “Harley Davidson”, “Je Me Donne A Qui Me Plait”, “Bubble gum”, “Contact”, “Je Reviendrais Toujours Vers Toi”, “L’Appareil A Sous”, “La Madrague”, “On Demenage”, “Sidonie”, “Tu Veux, Ou Tu Veux Pas?”, “Le Soleil De Ma Vie” (the cover of Stevie Wonder’s “You Are the Sunshine of My Life”) and notorious “Je t’aime… moi non plus”.
In 1952, she appeared on screen for the first time in Le Trou Normand. That same year, at age 18, she married director Roger Vadim, with whom she had been romantically involved for several years.
Although the European film industry was then in the ascendant, her personal rise was remarkable: she has been one of the few European actresses to re